Dial A440 for absolute pitch: Absolute pitch memory by non-absolute pitch possessors

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Dial A440 for absolute pitch: absolute pitch memory by non-absolute pitch possessors.

Listeners without absolute (or "perfect") pitch have difficulty identifying or producing isolated musical pitches from memory. Instead, they process the relative pattern of pitches, which remains invariant across pitch transposition. Musically untrained non-absolute pitch possessors demonstrated absolute pitch memory for the telephone dial tone, a stimulus that is always heard at the same absol...

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Musical pitch identification by absolute pitch possessors.

Musical pitch identification was investigated in two experiments in which absolute pitch (AP) possessors and nonpossessors categorized tones presented in isolation into predetermined pitch classes. Stimuli consisted of 60 different tones per octave (at intervals of 20 cents). The experiments were designed to minimize the possibility that subjects could use strategies other than AP in perfi~rmin...

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Absolute Pitch (AP) is the ability to identify or categorize musical pitches accurately without an external reference. Although AP is generally thought to be rare, music psychology research in the past few decades has debated on every aspect of the phenomenon. This chapter will review the theories, methods, and findings on Absolute Pitch from the cognitive psychology and neuroscience literature...

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Absolute pitch.

Absolute pitch (AP) is the ability to identify a tone's pitch or to produce a tone at a particular pitch without the use of an external reference pitch. AP exists in varying degrees among people generally described as AP possessors. AP possessors vary not only in the accuracy with which they can identify pitches but also in their ability to produce pitches absolutely and in their ability to ide...

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In this paper we investigate whether musically trained nontonal language speakers perceive lexical tone better than their non-musician counterparts. Three groups of English language speakers, non-musicians, musicians, and musicians with absolute pitch (n=24, N=72), were tested for same/different discrimination of Central Thai tone pairs. These were presented in three separate conditions: as spe...

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ژورنال

عنوان ژورنال: The Journal of the Acoustical Society of America

سال: 2008

ISSN: 0001-4966

DOI: 10.1121/1.2896106